Kids content has a monetisation problem, Here’s who’s trying to fix it
A conversation with Greg Dray of Animaj – by Jo Redfern Kids content is YouTube’s…
A conversation with Greg Dray of Animaj – by Jo Redfern Kids content is YouTube’s…
The regulatory wave is coming, and it’s picking up speed. Australia has banned social media…
When a trend on TikTok can transcend borders in days and Roblox experiences are played…
Titles and trends for buyers to look out for at MIPJUNIOR The kids business is…
Initiated by the FAST4EU consortium, this extensive whitepaper discusses a transformative initiative for the European…
If you wanna survive, you need to be able to tell your story in 6…
Caution spread through the global SVOD sector over the last year. US-based platforms now concentrate…
One of my MIPTV 2023 highlights was Evan Shapiro’s Mastermind Keynote on the changing media…
This year ’s theme for the UN International Women’s Day is DigitALL: Innovation and technology…
« Gen Z ranks Watching TV, Movies as fifth among top 5 entertainment activities ». This headline…
Kids TV case study Is it reality? Is it animation? No, it’s Total Drama. In…
MIPBlog: How are formats selling internationally currently? What does the marketplace look like? DoHyoung Lee:…
The Gen Z audience will watch almost anything, it seems. But it has to be…
From her kitchen at home, in isolation from Covid-19, The Wit CEO Virginia Mouseler (below)…
According to DHX Media’s vice-president, original production, Michael Goldsmith, the golden age of drama is…