From the creators of Money Heist (La Casa De Papel), The Pier (Embarcadero) follows the harrowing story of high-pro- file…
In the five years since its inception, under Margie Cohn, Comcast/NBCUniversal-owned DreamWorks Animation Television (DWA TV) has seen extraordinary growth…
Espace At Dannemora is based on the true story of a prison break out in upstate New York in the…
Brian Cobb (left in above photo) is a pioneer of diverse content, having co-produced The Horizon, the most-watched LGBTQ series…
The following interview features in the new report from Ampere Analysis—Where next for kids’ TV: Predicting the future of children’s…
Summertime hasn’t been siesta time for the TV industry. Big wheels are spinning and big deals are getting inked. Take…
From « Peanuts » to Africa to deals worth billions and billions of dollars, the TV industry just keeps steaming along and…
VR has established itself as an art form, as a medium for innovators, visionaries and tech enthusiasts. While it’s still…
From global pay TV to a real-life television drama to the icy wilderness of of Finland’s Ivalo (oh yes), TV…
Recently, Spanish series have gained attention for their international appeal. In hopes of replicating the worldwide success of Money Heist/La…
Top photo: The Wit’s Virginia Mouseler and furry friend at the MIPFormats 2018 Japanese formats showcase – Treasure Box Japan:…
Top photo: actor Michael C Hall, in Cannes to promote Harlan Coben-written show, Safe This is the second in a…
Almost three years on from FX Networks CEO John Landgraf’s « peak TV » declaration that there is “simply too much television”,…
The most obvious evidence of the international appeal of children’s live action programming is the pipeline of shows coming out…
In February 2018, the superhero subgenre was the third most popular in all of Latin America – though not all…