Jesse Cleverly hit the stage once again to moderate a panel of familiar MIP faces. And the first question he…
The undercurrent of this session seemed to be what makes the difference between a community manager and a broadcaster. Is…
Anne Sweeney is the most powerful woman in entertainment, according to The Hollywood Reporter. She is also MIPCOM 2011 Personality…
Patrick Walker (photo), head of content partnerships at YouTube EMEA, Google, UK, began the session with an overview of where…
The afternoon began with a behind-closed-doors Digital Minds Summit, whose aim was to bring together those TV executives best-equipped to…
Social TV is a theme permeating most sessions at MIPCOM this year, as producers and broadcasters wrestle with the implications…
There’s a host of TV content online that can be accessed from PCs, phones, tablets and consoles, but finding the…
Print media and the music industry have faced intense, sustained disruption over the last decade from digital technologies and startups,…
Subscription-based TV and movies service Netflix has been causing quite a stir among rightsholders, with some embracing its disruptive business…
A plethora of digital platforms are presenting creative opportunities for TV properties, but are the business opportunities just as appealing?…
There has been a lot of talk about how connected TVs and second-screen apps will change the habits of television…
High profile for some years at the Cannes Film Festival, this is the first time Miramax has taken a stand…
Right now, nestling in my trouser pocket, I’ve got the most interesting thing in the world. A third of American…
« The personalisation of entertainment is the coolest thing we see happening, » Richard Bullwinkle, the chief evangelist of entertainment metadata firm…
Richard Garriot is revered by gamers the world over, as the creator of the mythical « Ultima » series. MIPBlog ran into…